Super Easy Two-Person Code
The Gallery Transmission System is a super easy 2 person code system.
It works everywhere and in any language.
The Effect:
The performer displays a thick packet of photographs (celebrities, animals, flags, random items etc.).
A spectator freely chooses any card. The mentalist now turns to his partner (the medium).
Not a word is spoken! No questions are asked! The medium is able to name the image on the card every time.
Features:
– Very easy to learn
– No progressive anagram
– Completely adaptable
– No verbal code (no language restrictions)
– Works perfectly even from a distance
– No body movements (You can sit quietly in a chair)
– Nothing needs to be in your hands
– The mentalist can even stand with his back to the medium!
– Works surrounded by spectators, even up close!
– Completely free choice – no force, no electronics
What’s included:
· A fully developed, easy-to-use two-person code system
· Clever memory aids and mnemonic ideas for everything!
· Step-by-step instructions for making the cards
· Empty template that you can customize
· Further ideas and subtleties on how to expand the system.
EVEN IF YOU ARE NOT INTO SECOND SIGHT!
When a married couple masters this code, a quiet, almost intimate form of
communication emerges that feels like proof of a deep bond. Anyone who
learns this code gains far more than a method of secret communication.
It becomes a tool that strengthens relationships, enhances performances,
and creates moments that linger in memory.
Reviews:
” This is one of those manuscripts that initially sounds much less impressive than it actually is. ‘Two-person code act’ doesn’t exactly scream freshness in 2026. Then you read it; it’s excellent. The best work on coding that I’ve ever read in fact. What Hoffmann has done is take the old Second Sight structure and aggressively simplify the part that normally kills these things dead: usability. The real strength here is that the performers barely need to move. No fishing. No procedural language. No obvious cueing. No “Please hand me the object in your left hand while I casually clear my throat seventeen times.”I also liked how practical the whole thing feels. The manuscript spends a lot of time reducing memory strain and real-world failure points. You get the sense this came from performance rather than theory. The extension ideas are good too. Countries, films, brands, fictional characters, objects. It doesn’t need to stay a ‘celebrity’ act. Very usable. Very adaptable. Very clever. If you want a silent, low-tech system that delivers pure, heavy mentalism under any working conditions, buy this immediately. ”
– Mark Elsdon (The FIG)
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” Thank you Paul in advance for recreating this code Act routine. It is exceptionally well thought out, commercial, and highly engaging for modern audiences. The method is clever, practical, and feels incredibly relevant in today’s tech-driven world. What stands out most is how seamlessly the routine blends mystery with an everyday object, creating a strong sense of impossibility while remaining easy to follow for spectators. The structure is clean, deceptive, and built for real-world performance. Highly recommended for any mentalist looking to add a contemporary, powerful piece to their repertoire.”
– Magic Suzy (Floridas 1st female magician / magicsuzy.com)
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– Mysterion (mysterionthemindreader.com)





Herbert Plaimer –
Nice easy system. Brief but though. Easy to understand. And real world practical.
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Timo Kasvio –
It’s rare to find a book that is both inspiring and so practical. This is the kind of resource that sparks new ideas while also providing routines you can actually perform. Definitely one of the best investments I’ve made in my mentalism library.
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David N. –
What I appreciate most is how flexible and reliable the system is, it delivers powerful and consistent results. With a bit of practice, it becomes second nature and opens up a wide range of performance possibilities. This is a fantastic tool for any mentalist looking to elevate their act with strong, deceptive, and highly entertaining material. Highly recommended!
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Mark Doucette –
Just finished the booklet with pages full of notes and several ideas I’m excited to develop further. A truly worthwhile read for anyone interested in two-person code work.
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Sebastian Haas –
Fantastic Read! A refreshing take on the two-person code act. I came away with several ideas I can’t wait to try. If you’re interested in code work, this book deserves a place on your shelf.
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Aidan Voss –
An outstanding book filled with a practical, well-thought-out idea that can be put to use immediately.
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Jan Ulrich –
A Masterpiece on Two-Person Code Acts! Unlike many books on the subject, this is not a collection of theoretical ideas. Everything is clearly designed with actual performance in mind. It’s obvious that the methods have been tested, refined, and optimized under real conditions, making the material incredibly valuable for serious performers. I’ve read many books on mentalism and coded communication over the years, and this one immediately earned a place among my favorites. It is an outstanding resource that I expect to revisit many times as I continue to develop my own performances. If you’re serious about mastering the art of the two-person code act, this book is an essential addition to your library. Highly recommended!
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